Posts Tagged Wang Guangle

Chinese Art Exhibition ‘Constellation’ in the Heydar Aliyev Center in Baku

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28 Chinese at Samuseum

28 Chinese at San Antonio Museum of Art Read more…


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Ma Qiusha, Yang Xinguang, Wang Guangle in Germany – China 8

Ma Qiusha, Yang Xinguang, Wang Guangle in Germany – China 8

 CHINA 8 – Contemporary Art From China At Rhine & Ruhr

May 15 2015 – September 13 2015



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Hu Xiaoyuan and Wang Guangle at Shanghai MOCA

Hu Xiaoyuan and Wang Guangle at Shanghai MOCA - 胡晓媛、王光乐参加上海当代艺术馆展览 
Hu Xiaoyuan and Wang Guangle's works will be shown at the exhibition "Aura of Poetry", Shanghai Museum of Contemporary Art.
Exhibition date: 7.12.2014-9.10.2014
 Museum of Contemporary Art, Shanghai presents “Aura of poetry” on July 12th. Artists invite viewers to enter into a poetic space; seeking the crack in time in our fast paced and intense urban environment and find refuge in the beauty of poetry and experience its spiritual power. The power of poetry lies in “beauty”, and also its ability to reflect truth. 

Poetry resembles light that breaks through the complexities of the modern life, creating a crack in time that brings people hopes and strength. In the “Aura of Poetry” viewers will experience the poetic light from these cracks. With light, forms time and space, subsequently different stories and human history. The participating artists of the exhibition includes (in alphabetic order): GAO Ruyun, HU Xiaoyuan, LIU Jianhua, PENG Yangjun, QIU Anxiong, SHI Zhiying, WANG Youshen, WANG Guangle, YANG Yongliang, ZHANG Enli. Majority of the works are newly created for this exhibition. With “Aura of poetry”, MoCA Shanghai aims to stimulate innovative thinking and create spiritual strength for all the viewers. “Aura of Poetry”
The exhibition is co-curated by Tiffany Soong, Shen Qilan, and Miriam Sun.
 Aura of Poetry
 2014.07.12 – 2014.09.10
Moca Shanghai 

by  Wang GuangLe


by Hu Xiaoyuan

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28 Chinese by Mera and Don Rubell

Mera and Don Rubell at their museum in Miami. Behind them is “Liberation No. 1,” by Liu Wei, part of a new exhibition, “28 Chinese,”

Art Collectors Show Their Chinese Prizes ( NYT )
article by By Barbara POLLACK

When the prodigious Miami collectors Don and Mera Rubell first visited China, in 2001, they found the artists they met fascinating, but they were frankly unimpressed by the art itself. “It was our most intense trip with the least amount of art,” Mr. Rubell said. “Many of the artists seemed to be making work for export.”

Seven years later, the pair returned to a new landscape: a vibrant art world filled with men and women making work that was relevant to social issues in China today and mostly free of the clichés that had characterized contemporary Chinese art in the past. What they saw inspired the Rubells to spend the next five years seeking out artists and gallerists in Beijing, Shanghai and far-flung Chinese cities. And during this year’s Art Basel Miami Beach, the Rubells, who are best known for supporting the works of young American artists, unveiled “28 Chinese,” a new exhibition at their museum in Miami that displays for the first time their acquisitions from six trips to China; it runs through Aug. 1.

Ms. Rubell, 70, equates finding artists like He Xiangyu, who paints with boiled-down Coca-Cola, and Chen Wei, who photographs surrealistic scenes in his studio, to first encountering the Aaron Curry and Thomas Houseago, California artists who are now hot. Mr. Rubell, 73, a retired gynecologist who now devotes most of his time to his boutique hotel business, said that after visiting Mr. He’s and Mr. Chen’s studios and those of dozens of other artists, “we realized we were seeing something different that blew us away.”

The exhibition at the 45,000-square-foot Rubell Family Collection and Contemporary Arts Foundation, in the Wynwood Art District of Miami, features the work of 28 Chinese artists, each given a separate gallery. There is “Ton of Tea,” by Ai Weiwei, a huge cube of expensive Pu’er tea that resembles a Chinese Donald Judd, and “Diary, by Zhang Huan, a canvas based on a Cultural Revolution-era photo of a man in a Mao suit holding a book.

But, for the most part, the work departs from “made in China” iconography, especially the tapestries of the Shanghai artist Xu Zhen, next year’s commissioned artist for the spring Armory Show in New York, or the geometric abstractions of Liu Wei, who had a recent exhibition at his New York gallery, Lehmann Maupin.

“The Rubell collection is not an illustrated history of the avant-garde, on the one hand, nor a speculative portfolio, on the other,” said Richard Vine, the author of the book “New China New Art” (Prestel, 2011). “It seems like a personal response, much more than I expected.” He added: “I suspect the lesser-known people they’ve plucked from obscurity will benefit. But I don’t think they are operating like some other collectors, who bought household names, promoted them and then sold them for a profit.”

The Rubells began collecting in the 1960s, as the story, now famous, goes, on a budget of $25 per week — “25 percent of our income,” Ms. Rubell said during a recent trip to Manhattan for contemporary auction week. Their finds have grown into a collection of more than 5,000 works. Studio visits are the heart of the Rubells’ mode of discovering new talent; they have visited at least 100 artists in China over the last few years. Among the first was Mr. Ai, in 2001, before he was the dissident artist he would become.

“He was a bit insecure about whether he would be accepted in the West, but was totally the ringleader for all the younger artists at that time,” Mr. Rubell recalled.

Rather than buy from the artists, as many collectors did in the 1990s, the Rubells purchased through galleries, particularly Long March Space, Shanghart, Urs Meile and Pearl Lam Gallery, thereby helping China’s fledgling gallery scene develop. They also steered clear of auctions, where prices can be highly inflated, and fakes abound.

“I would say the single most shocking change in the Chinese art world is that the gallery system is now in effect,” said Mr. Rubell, who argues that the new system has helped to legitimize contemporary Chinese art.

The Rubells could be brusque when the art did not appeal to them. “When they didn’t like the work, they would make excuses for running out — but when they liked the artist, they would sit down and have long discussions,” said Ms. Lam, who advised them. One of the artists she steered them to was Zhu Jinshi, the oldest of the show’s artists but still undiscovered when the Rubells met him; his signature style is to ladle paint on calligraphic compositions.

“It was amazing,” Ms. Rubell recalled. “We walked into his studio, and there was 40 years of history in there. We asked if there was more to see, and they took us into three more studios filled with paintings.”

The couple’s son, Jason Rubell, 44, a co-owner of the family business, Rubell Hotels, accompanied his parents on several trips and collaborated on the purchases. “People tend to visualize Chinese art as Warhol-esque, brightly colored figurative stuff, but we found work that is quite conceptual,” he said. “The politics that has been framing the Chinese art scene is there, but in a sophisticated way that is a little more subversive.”

Certain artists in the collection, like Li Songsong, who is represented by Pace, and Zhang Enli, represented by Hauser & Wirth, have sold for more than $700,000 at auction in China. The Rubells, who drive hard bargains with dealers by buying six or eight pieces by an artist at a time, say they rarely spend over six figures for any Chinese work. And while their endorsement is expected to raise prices in this roiling market, they say they are not aiming to sell the work and be beneficiaries of those increases.

“In 50 years of collecting, we’ve put together over 5,000 pieces and we’ve sold less than 20,” Don Rubell said.

Reaching a consensus was sometimes a struggle for the three Rubells. “Abstraction was a little difficult at the beginning,” Ms. Rubell said, yet they finally all agreed that geometric abstraction was an important trend. The “28 Chinese” show at the museum includes eight abstract painters’ work, ranging from the calligraphic brush paintings of Lan Zhenghui to the optical illusions of Wang Guangle. Several young artists whom the Rubells admired were already out of their price range, like Sun Xun, who is featured in the “Ink Art” exhibition, which opens Wednesday at the Metropolitan Museum of Art.

“It’s tempting to look at Chinese art as these kids who started out, and now they are living in mansions,” the elder Mr. Rubell said. “But the shocking thing is the way they’ve become sentinels for Chinese culture.”

Rubell Family Collection / Contemporary Arts Foundation


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MUSEION-When Now is Minimal. The Unknown Side of the Sammlung Goetz

Wang guangle is present!

23/11/13 – 12/10/14

Munich’s Sammlung Goetz is one of the world’s most important private collections of contemporary art. The exhibition highlights how various generations of artists have explored the notion of minimalism, developing their ideas in the vast scope of contemporary art.

Alongside visions that have strongly influenced the artistic take on minimalism since the 1960s, the exhibition presents a young generation of artists who, with a light touch and a liberated, playful and at times irreverent approach, engage with the ideas of the “forefathers”, creating their own personal styles. Most of the works are being presented to the public for the very first time. The wide variety of media featured, from works on paper to paintings, sculpture, wall-mounted installations and light art, reveals how this artistic current transcends limits of genre and generation.

A cooperation between Museion Bolzano, Sammlung Goetz and Neues Museum. Staatliches Museum für Kunst und Design in Nürnberg

Curated by Karsten Löckemann, Angelika Nollert, Letizia Ragaglia.

Artists: John Armleder, Martin Boyce, Daniel Buren, Alan Charlton, Ron Cooper, Fischli & Weiss, Peter Fischli, David Weiss, Felix Gonzalez-Torres, Wade Guyton, Peter Halley; Imi Knoebel; Sarah Morris; Blinky Palermo, Anselm Reyle, Gerwald Rockenschaub, Peter Roehr, Ulrich Rückriem, Reiner Ruthenbeck, Michael Sailstorfer, Karin Sander, Fred Sandback, Haim Steinbach, Katja Strunz, Wolfgang Tillmans, Rosemarie Trockel, Andrea Zittel.



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January 13th through April 14th, 2013
Ullens Center for Contemporary Art, Beijing

Curated by Bao Dong and Sun Dongdong

“Since its founding in 2007, the Ullens Center for Contemporary Art has been a passionate platform for presenting the freshest artistic voices in China, and for placing them into the twin contexts of Chinese art history and the international conversation around contemporary art,” said UCCA director Philip Tinari. “We are extremely excited to mount an exhibition that will showcase the wide range and high caliber of work being made in China today.”

Participating artists: Birdhead, Chen Wei, Chen Yujun + Chen Yufan, Chen Zhe, Chen Zhou, Cheng Ran, Fang Lu, Ge Lei, Gong Jian + Li Jinghu, Guo Hongwei, He Xiangyu, Hu Xiangqian, Hu Xiaoyuan, Huang Ran, Jiang Pengyi, Jin Shan, Lee Fuchun, Li Liao, Li Ming, Li Ran, Li Shurui, Liang Yuanwei, Liu Chuang, Liu Xinyi, Lu Yang, Ma Qiusha, Qiu Xiaofei, Shang Yixin, Shi Wanwan, Song Ta, Song Yuanyuan, Sun Xun, Tang Dixin, Wang Guangle, Wang Sishun, Wang Yuyang, Wen Ling, Wu Junyong, Xie Molin, Xin Yunpeng, Xu Qu, Xu Zhe, Yan Xing, Yang Jian, Yang Xinguang, Zhang Ding, Zhang Liaoyuan, Zhao Yao, Zhao Zhao, Zhou Tao.
Chen Wei, Cheng Ran, Guo Hongwei, and Liu Chuang, Artists from Leo Xu Projects present their new works


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